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Recording Sessions 1955
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Studio Session for 20th Century Fox (Soundtrack Session)

Place:
Date:
Producer:
Engineers: 		Fox-Stage 1, Hollywood, Los Angeles
August 24, 1955
Lionel Newman
Bob Mayer - Ken Runyon - Murray Spivak
Matrix:
Nr:
Titel:
Time:
Date:
1st Release:
Album:
Year 		G2WB
7260-SP
We're Gonna Move
2:31
August 24
EPA4006
Love Me Tender
1956

Matrix:
Nr:
Titel:
Time:
Date:
1st Release:
Album:
Year
G2WB
7260-SP
Love Me Tender
2:42
August 24
20-6643
Single A Side
1956

Matrix:
Nr:
Titel:
Time:
Date:
1st Release:
Album:
Year
G2WB
7216
Poor Boy
1:41
August 24
EPA4006
Love Me Tender
1956
Musicians: Guitar: Elvis Presley
Guitar: Vito Mumolo
Bass: Mike (Michael Myer) Rubin
Drums: Richard Cornell
Banjo: Luther Rountree
Accordion: Dom Frontieri
Vocals: Rad Robinson, Jon Dodson, Charles Prescott
More info »

TWe're Gonna Move, Take 4, Used for spliced Master (2:20-2:26), Take 9, Used for spliced Master (0:00-2:20 - 2:26-2:31). The Master is Spliced from Takes 4 and 9, further overdubs: Backup Vocals and Handclaps overdubbed. (S17-S18-S19). The spliced master runs almost 1.2% slower than take 9. 20th Century Fox didn't use individual slate and take numbers, but ran them consecutively, as a result, take information is not completely clear.

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Studio Session for 20th Century Fox (Soundtrack Session)

Place:
Date:
Producer:
Engineers:

Fox-Stage 1, Hollywood, Los Angeles
August 24, 1955
Lionel Newman
Bob Mayer - Ken Runyon - Murray Spivak

Matrix

Nr

Titel

Time

Date

1st Release

Album

Year

G2WB

7260-SP

We're Gonna Move

2:31

August 24

EPA4006

Love Me Tender

1956

G2WB

7216

Love Me Tender

1:41

August 24

20-6643

Single A Side

1956

G2WB

7216

Poor Boy

1:41

August 24

EPA4006

Love Me Tender

1956

Musicians:

Guitar:
Guitar:
Bass:
Drums:
Banjo:
Accordion:
Vocals:

Elvis Presley
Vito Mumolo
Mike (Michael Myer) Rubin
Richard Cornell
Luther Rountree
Dom Frontieri
Rad Robinson, Jon Dodson, Charles Prescott



We're Gonna Move, Take 4, Used for spliced Master (2:20-2:26), Take 9, Used for spliced Master (0:00-2:20 - 2:26-2:31). The Master is Spliced from Takes 4 and 9, further overdubs: Backup Vocals and Handclaps overdubbed. (S17-S18-S19). The spliced master runs almost 1.2% slower than take 9. 20th Century Fox didn't use individual slate and take numbers, but ran them consecutively, as a result, take information is not completely clear.